Author Archives: brucep3

CORE CASTING RINGS

FIGJAM‼️????

Core casting method for rings, Using transfer punches
1/2” – 1” diameter. (The problem with using sodium silicate, greensand, CO2 hardened extruded cores for core casting rings has always, for me, been finding suitable, inside diameter graduated tubes for a wide range of ring sizes for extruding the cores).
I have solved this problem by using short sections of steel rod acquired from a 33 piece set of Transfer Punches ranging from 1/2” – 1” diameter in 1/64” increments.
I cut off a short section of the size punch that has a comfortable, close fit to the inside diameter of the ring master that I need to core-cast.. that then fits comfortably inside my sand-casting boxes. (Cope and drag). I pack the drag box and press/hammer the ring master and steel core in place (half way)..then place and pack the cope.. remove the ring from the steel core and wrap the core with a layer of paper.. replace .. create vents, the sprue hole and funnel on the cope and pour the metal..SoHah❗️ I drive the core out by suspending the ring above the open, aluminium Protected jaws of a machinist bench vise. HeyPresto‼️POW‼️Core casting made simple. #figjam #corecast #sandcasting #sandcastjewellery #redclay #craigdabler #delftclay #greensand @brucepringlemetal #iteach (see my website on my profile for class details)

Witness..

An idea that I’m working on, towards an exhibition at The Small Works Gallery, opening 21st September 2024, in Murwillumbah NSW

Myself, with Christine Robinson, @christinerobinsonart , Marta Spear @paperggarden and Ann Cameron @anncameronart

An exhibition, “CONVERSATIONS”..

Opening 4pm Saturday 21st September @smallworksgallery in Murwillumbah NSW.
The exhibition runs till Thursday 26th Sept. #murwillumbah

My part in this four person , shared exhibition will be a collection of small works in bronze, in three parts, around the idea of 

Witnessing …

The knower or awareness behind every thought, concept and action.

Our attention seldom abides in it.. rather it is caught in a web of dream and judgments.

The first part of these works are abstractions of this.. verging on figurative at times but largely 

symbolic.

Then there is “Parade”.. a series of seemingly light-hearted characters, rolling by, reminding us to please pay attention.

The third part is a collection of smaller pieces.. some functional and some wearable, there to help capture that precious attention in our everyday activities.

What fun!!!

gRALPH‼️

This is gRALPH‼️.. a grumpy wee dog..

sandcast in various custom bronzes and brasses.

it’s a little brooch.. good on a winter coat and/or your favourite hat!

gRALPH‼️
Various custom metal options

LAMENT

If you’re paying attention then this is all very very sad..
To have to contemplate inevitable death in all of our futures can be confronting to some.. but to stare into the face of the coming calamitous tsunami of world ending conditions, that are very likely to destroy all of us.. human, animal and microbe alike is strong cause for Lamentation.. and it is a little surprising that there isn’t much lamenting going on..

LAMENT is a series of six small bronze sculptures that are an emotional response to the Perfect Storm of environmental, economic, military, technological and psychological conditions that humanity is experiencing but is/are too overwhelmed to actually lament the likely demise of our world/existence/civilisation/epoch.

MINITURE BRONZE SCULPTURES

Miniature bronze sculptures
Miniature bronze sculptures

In the interests of playfulness and not taking things too seriously… being somewhat weary, after some Fifty-odd years of making works and the economic prerogative… I’m trying to hold onto this practice as gently as I can!.. So a new collection is taking shape and landing in the two Hammer and Hand Metal Collective’s , here in Bangalow, NSW and in the Salamanca Arts Centre Hobart Tasmania.

I seem somehow to have been indulging my love for brooches over the last year.. making, almost exclusively, smallish sand castings .. for sale of course.. but I suspect mostly for my pleasure…. Stuff that I’d wear! (and Do!). .. so the little miniature sculptures are a welcome diversion. ????

Take a look at them in the GALLERY..

‘The Emmisary’ New series. Work in progress

”Who will be an emissary to speak to the seasons, for the blackbirds and crows already soak up the sky” Juluka.

‘Working in wax on this small scale is still difficult for me.  I like the blue wax! It allows filing and cutting.. the trade off is that it is very brittle. These hands and wheels are for one of  a series of small sculptures on the theme “The Emissary “

The small sintered deposit of casting sand in the palm of one hand was interesting in light of the subject.

this piece will probably be fabricated from sand cast bronze elements.

Working on the chain gang!

 

It seems a simple task but it starts with melting fine (pure) silver and adding 75 parts in a thousand of copper in order to make the alloy, Sterling Silver 925…. Then the poured ingots are rolled in a rolling mill where they are squeezed into thinner and thinner square bars till they can fit into the graduated round holes of a draw plate where they are drawn into round wire. The rolling and drawing process requires that the metal be annealed (softened by heating to almost red-hot), as the rolling and drawing process work hardens the metal and makes it impossible to work any further’ without it becoming brittle and cracking.

‘Then the chain making can begin! The wire is wrapped around an especially shaped mandrel to form a continuous coil that is then cut with the jewellers saw to make the individual links.

‘The links are joined together and each link fluxed and soldered and finally the catch is made and the chain polished and patina induced with liver of sulpher and polished again…. 
Some are charm chains/bracelets and the charm masters are made , sand cast and linked onto the chains. All in all a very time consuming project and should only ever be undertaken by someone such as myself, who loves the process and would not hav it any other way! It’s why I’m a Metalsmith!

It’s TeaTime! Silver Tea Caddy Spoons

Sterling Silver Tea Caddy spoons. (AU$280 )
These spoons make a beautiful gift that will be used and cherished for a lifetime… and for tea lovers, that’s every day. The perfect gift for any occasion, individualy hand crafted from solid Sterling Silver, sand-cast, forged and fabricated, each one a treasure. For him or her or both.
#teacaddyspoon #maketeanotwar @hammerandhandbangalow @hammerandhand_hobart @byron.bay.nsw @byronshireartstrail.com @byronshireartstrail #letshavetea #housewarminggift #weddinggift #giftideas #tea #teatime #silverspoon #silverspoons #metalsmith #metalartist #teatime #house #home #handmadecutlery #handmadegifts #handcraftedspoon #handcrafted #hand #sandcast #blacksmith #thylacine #rabbit #hare #tassietiger 

SAVE THE DATE! 5pm Friday 16th August 2019

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Save the date!

           FLUXED

5pm FRIDAY 16TH AUGUST 2019
Hammer & Hand Jewellery & Metal Collective Byron Bay members are presenting their annual exhibition of new works.
 
            Save the date!

flux flʌks | noun[mass nounthe action or process of flowing or flowing outthe flux of ions across the membrane• Physics the rate of flow of a fluid, radiant energy, or particles across a given area• the amount of radiation or particles incident on an area in a given time• the total electric or magnetic field passing through a surfaceMedicine an abnormal discharge of blood or other matter from or within the body• (usually the fluxarchaic diarrhoea or dysentery[mass nouncontinuous changesince the fall of the wall Berlin has been a city in flux | the whole politicalsystem is in a state of fluxsubstance mixed with a solid to lower its melting pointused especially in soldering and brazing metals or to promote vitrification in glass or ceramics• substance added to a furnace during metalsmelting or glass-making which combines with impurities to form slagverb [with objecttreat (a metal objectwith a flux to promote meltingORIGIN late Middle English: from Latin fluxusfrom fluere to flow.


instagram  @hammerandhandbyronbay

Sand Casting Jewellery Lessons in Byron Bay

 

Bruce Pringle is teaching one on one Sand Casting Jewellery Lessons in Byron Bay!

Melt and pour!

Melt and pour!

The lesson consists of three hours intensive, one on one instruction, with a further 2 hours of supervised solo practice.  

Full Fee, $300, includes materials.

Book now , call 0409960614 or Email bruce@brucepringle.com

The Lesson

A “one on one” lesson in traditional Jewellery sand casting techniques that will result in competency in the basic techniques.

This lesson consists of three hours intensive instruction, with a further 2 hours for solo practice with Bruce available to answer questions as needed, for a cost of $300

He teaches the technique of sand casting jewellery, using “green” sand.

This is similar to the popular proprietary product, “Delft Clay”,(an oil sand), sold in most jewellery supply shops.

Green sand (so named because it is wet, like green wood is wet), Is made up of a fine sand with a percentage of Bentonite clay. (between 5% and 15%, depending on the sand) and a little water to make it damp.

Bruce will start with a demonstration of the process of packing the “master” into the flask through to pouring the molten metal.

You will work side by side with Bruce, to make and pour your own casting… This will be repeated twice.

Your first piece cast will be of a small hare, in bronze and the second, a plain silver ring.

After this, you will have the opportunity to further practise the skill for a couple of hours, using your own “master”.

(This “master” could be something like an ornate button you may have, a seed pod, a medallion or something similar).

Once, having achieved competency, the average time taken to complete a casting, from packing the flask to pouring the metal is about 30 minutes.

* In foundry work, the terms cope and drag refer respectively to the top and bottom parts of a two-part casting flask. The flask is a wood or metal frame, which contains the molding sand, providing support to the sand as the metal is poured into the mold.

About Bruce Pringle, Metalsmith

Bruce is an experienced and passionate teacher and a self taught metal smith of some 40 years experience. 

A jewellery maker, Silversmith, a Decorative Blacksmith (30 years), a knife maker, foundry worker, (both sand casting and lost wax), Steel and Bronze sculptor, Stainless steel utensil maker, skilled in electro etching, welding and Plasma cutting.